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・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


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Open pop star : ウィキペディア英語版
Neoism

Neoism is a parodistic -ism. It refers both to a specific subcultural network of artistic performance and media experimentalists, and more generally to a practical underground philosophy. It operates with collectively shared pseudonyms and identities, pranks, paradoxes, plagiarism and fakes, and has created multiple contradicting definitions of itself in order to defy categorization and historization.
==Background==

Definitions of Neoism were always disputed. The
main source of this is the undefinable concept of Neoism which created
vastly different, tactically distorted accounts of Neoism and its
history. Undisputed, however are the origin of the movement in the late 1970s Canada. It was initiated by Hungarian born Canadian performance and media-artist Istvan Kantor aka Monty Cantsin in 1979, in Montreal. At around the same time the open-pop-star identity of Monty Cantsin was spread through the Mail Artist David Zack (born New Orleans, June 12, 1938, died presumably in Texas ca. 1995) with the collaboration of artists Maris Kudzins and performance artist Istvan Kantor.
Schisms followed in the mid-1980s. Questions and concerns arose about whether the "open pop star" Monty Cantsin moniker was being overly associated with certain individuals. Later, writer Stewart Home sought to separate himself from the rest of the Neoist network, manifesting itself in Home's books on Neoism as opposed to the various Neoist resources in the Internet). In non-Neoist terms,
Neoism could be called an international subculture which in the
beginning put itself into simultaneous continuity and discontinuity with, among others,
experimental arts (such as Dada, Surrealism, Fluxus and
Concept Art), punk, industrial music and
electropop, political and religious free-spirit movements,
Science Fiction literature, 'pataphysics and speculative science.
Neoism also gathered players with backgrounds in graffiti and street
performance, language writing (later known as language poetry),
experimental film and video, Mail Art, the early
Church of the Subgenius and gay and lesbian
culture. Neoism then gradually transformed from an active subculture
into a self-written urban legend. As a side effect, many other
subcultures, artistic and political groups since the late 1980s have -
often vaguely - referred to or even opposed Neoism and thereby perpetuated its myth.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Neoism」の詳細全文を読む



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